Failure To Launch is Looking for Support!

Failure to Launch, the latest comics anthology from Iron Circus, is now LIVE for crowdfunding and looking for backers!

Why should you back it? Well, they’ve got some great talent in this book – including me. Yep, I made a short story for this anthology!

Failure to Launch is a light-hearted, educational tour of the (so far!) unrealized technological and societal advances promised in years past, but which never came to be. What could have been, but wasn’t. It tells the tales of space utopias, incredible inventions, societal revolutions, robot pets, and even predictions of planet-wide Armageddon!

History is often written by the winners, but this time? Join us in spotlighting those whose dreams sputtered out, somewhere on the spectrum between disappointment and disaster. And we promise, it’s more fun than you think!

Failure to Launch’s Backerkit page

For this anthology, I made a semi-autobiographical comic called “Ninit’i, or The End.” It’s a story in two halves – the story of my time in the Navajo Nation, and the story of the world reacting to the Harold Camping prediction of the Rapture. As we see devout Christians panicking over the end of the world, we see how Navajo people (and everyone else) grapple with the notion that the end of the world has already happened, and how to best move forward anyway.

I have been wanting to make a comic about my time in Navajo Nation for YEARS. This anthology gave me the chance to finally make it happen. Not to mention that I’ve been wanting to make something with Iron Circus since I got into comics. Being part of this anthology is like a dream come true for me!

Plus, this anthology has a BUNCH of other creators – including hbomberguy, Evan Dahm, Blue Delliquanti, and a whole lot more.

The Backerkit campaign is NOW LIVE for Failure to Launch. If you have the means, go back it and claim a copy of the anthology!

If you’re broke, share this campaign – specifically with this link: https://tinyurl.com/kelci-ftl. This will make it easier for the organizers to know which creator you’re sharing with.

That’s all for now. Thank you so much for your support!

You. Are. Awesome.

Prepare! For The Legend of Jamie Roberts, Volume 1 on KickStarter…

jamie roberts, a genderqueer human with messy blonde hair and green eyes, is gesturing with dreamy excitement against a brown background.

It’s that time – time for a new KickStarter campaign. And this time, I’m hoping to get The Legend of Jamie Roberts, volume 1 in paperback.

The WHAT

The Legend of Jamie Roberts is a weekly webcomic I write and illustrate. It’s all about Jamie – neither man or woman, but a PIRATE. Jamie and their two best friends, Thomas and Daniel, find an unfinished map for a land they never explored. And so together, they go on a new adventure!

Volume 1 will collect the first 4 chapters of the webcomic. Yeah, I know I had chapters 1 and 2 in single-issue comics before. And those had their own KickStarter campaigns. But volume 1 will be the first time the first 4 chapters of the story will be in print together.

The WHEN

Mark your calendars – the KickStarter will launch before the end of February.

The HOW

If you want to be first in line to pre-order the book, you need to get on the email newsletter. My email peeps are the first to know when ANY KickStarter launches. That means they get to see the Early Access rewards, which are only available for a limited time.

Any questions? Hit me up in the comments below.

Thanks for reading!

You. Are. Awesome.

Writing for Comics 101 – Why One-Liners Are Not Enough

In today’s installment of Writing for Comics 101, let’s talk about why one-liners are not enough.

If you missed it, I wrote in last week’s installment about how to write good characters. Now, I’m going to let you in on a secret about how to write dialogue for characters:

YOU CANNOT FORCE A ONE-LINER.

Admittedly, this is more of a problem I see in people who want to get into superhero or shonen comics. Both genres are guilty of having characters talking (almost incessantly) on the pages during action scenes. This incessant talking is meant to lead into quote-worthy one-liners.

Don’t get me wrong. I love one-liners. Otherwise I would not love the movie Mystery Men as much as I do.

But here’s the secret about one-liners: They are rooted in the characters.

To have good one-liners, you need to have good characters. To have good characters, you need to know your characters REALLY well. As in, you should know the things I talked about last week. If you don’t, go back to the Word document.

But a story cannot be made of one-liners alone. You need to have connective moments. Even Mystery Men knew that.

So what you need to learn is how to write actual, believable dialogue between characters.

To make that actual, believable dialogue, you need to understand your characters backgrounds, wants, and fears.

And here’s the most important secret about making comics that few people talk about:

Sometimes, the best thing you can say on the comic page…is nothing.

Trust me: silence can say more in a story than any amount of dialogue ever could. Read Cairo and Asterios Polyp if you don’t believe me.

If you still have questions, let me know in the comments. I’m happy to help.

That’s all for now. Thank you for reading!

You. Are. Awesome.

West Virginia Pop Culture Con: ROUND 2!

My second year at West Virginia Pop Culture Con went SUPER FREAKING WELL.

Somehow Dave (my table buddy and Patreon patron) and I managed to get TWO table spots (don’t ask me how. I’m still baffled). I wasn’t prepared for the extra long table space, but now I’m getting ideas for how I want to do a two-table spread at future cons, if that ever happens again. Or even better – a corner spot.

This year was awesome, not just for me but for Dave, as well. It also went really well for Cheyenne, another art buddy! WV Pop Con is really the place to go as an indie creator, because the show focuses a lot on the creative talent. I don’t think there were any celebrities at this show, except (arguably) for the guy who’s currently working on the art for Scooby Apocalypse, Patrick Olliffe.

There was only one thing that did not turn out well at WV Pop Con, and that was the silent auction I had for the framed original inks and lines for “God.”

pagan god illustration

For one thing, I forgot the jar to slip bids into. Oops.

Not that it would have mattered, because there were only two bids placed on this baby – one bid was for $5. The other was for $7.

My minimum bid was $50.

So, not going to do the silent auction again. I kept the framed art piece because I am NOT selling off an original art piece measuring 11 by 17 inches WITH A FRAME for $7.

Just gonna’ mark it to $150 as a flat rate and take it to Comicon Erie (unless someone in Saint Clairsville, OH, Wheeling, WV, or Youngstown, OH REALLY wants it. In which case, leave a comment. Let me know).

On the more positive side of things, my profit margin was higher than last year because I lowered my cost on one major thing – a place to crash.

Last year I stayed at a hotel (La Quinta). This year I stayed at an AirBnB and saved myself an EASY $100.

Another thing – having a table buddy lowered my table cost. And it got Dave a place to showcase his work… which is good because it turned out that this was his best show as an exhibitor EVER.

Win-wins all around!

That’s all for now. Thank you for reading!

You. Are. Awesome.

P.S. The AirBnB I stayed at had a 15-year-old cat named Splash. She is the sweetest ball of fluff I ever had the joy of holding and petting.