Watercolor 101: Tools

I’ve been drawing with watercolors for about 8 years now. I’m not a professional (at least, I wouldn’t consider myself such), but I’ve picked up a few tricks.

This is good because when I look online for the basics of how to get into watercolor drawing and painting, I’m frustrated with how hard it is to read the information.

It’s a shame because watercolors are one of the most fun mediums you can experiment with.

Do you have to draw landscapes? No, not unless you want to. You can draw whatever you want with watercolors.

(There are even some watercolorists who design awesome tattoos, but that’s a different topic for a different day.)

But where do you start?

Well, first, I want to talk about the tools.

We’ll talk about how to use them, and what to draw with them, in the next post.

So what do you need to start painting and drawing with watercolors?

watercolor painting tools
A sample of the tools you’ll need.

First, you need two containers for water. The first one will rinse your brushes. The second one will be what you use to dilute colors.

Second. Brushes. This is really up to personal preference. However, keep in mind that in art stores there are brushes specifically made for painting with watercolors. These are going to be your best choices.

These brushes come in either of two types of hairs: synthetic, and natural. Again, your personal preference. My personal preference is for those made with natural hairs, because they retain water for longer.

Brushes also come with a variety of tips on them. Each tip is used for a different techniques.

Here’s a handy chart.

brush tip chart

Third, a rag.

Or a paper towel, or wash cloth. Or a dirty shirt. Anyway, You need something to wipe your brushes on between colors.

Fourth, the paints.

The paints come in three forms – cakes, tubes, and watercolor pencils.

watercolor cakes tubes and pencils tools
Watercolor cakes, tubes, and pencils.

These have their own pros and cons.

Cakes are easy to carry, are perfectly portable, and come in a set. However, the color range can be limited, they’re tricky to mix, and the colors are more transparent (meaning you can see the paper underneath).

Tubes come in a large variety of colors and are easier to mix than cakes. They are also very opaque, meaning you can hardly see the paper underneath. However, they take up space and you need either a palette or palette paper (which is waxy) to mix them.

Watercolor pencils are unique. They work like colored pencils, and you can color with them like such. Then you add water in strokes and voila! You have a watercolor piece.

Watercolor pencils are easy tools to work with, and it’s easier to get gradients (which are swaths of color moving from dark and opaque on one side, to thin and transparent on the other) with these tools.

The drawback to these tools are that, like cakes, color selections are somewhat limited, though some sets have a nice range of colors. The other drawback to this tool is that they leave behind a texture, which can be a problem if you want a smooth color.

Back to supplies. You will need…

Fifth, a painting surface.

The best surfaces to paint watercolors on are papers. The best of the best are mixed media papers (which are nice and thick), Bristol paper (which is often smooth), and watercolor papers (which are thick and toothed. Toothed paper means it has ridges, which helps retain water).

Sixth, a color wheel.

This is a necessary tool for any artist. It shows the primary, secondary, and tertiary colors on the color wheel, as well as their compliments, analogs, tints, and shades.

color wheel
Color Wheel

If you don’t know what I’m talking about, be sure to check out this primer on color. There’s also this page that goes more into color theory.

And seventh, scrap paper.

Preferably, this scrap paper will be the same type of paper you’re painting on. With this, you can test and mix your colors before committing them to your final painting. This is also the best surface for mixing cakes. I’ll talk more about how to do that later.

Those are the tools you need to get started with watercolors. I’ll talk about techniques, tips and tricks in the next post.

Thanks for reading, and I’ll see you tomorrow.

Female Orcs and Dwarves Sketches

This month I have been drawing a lot – scratch that, a LOT – of women and female bodies. This is thanks in large part to the Superhero Ladies sketches I’m doing this month. Here are just a few of the finished ones.

superhero ladies sketch series

superhero ladies sketch series

superhero ladies sketch series

However, drawing these awesome ladies got me thinking, “I need to draw non-human ladies. Like elves – “

Oh I already did that.

elf woman sketch

But then my brain went, “Wait! What about female ORCS?”

I looked into it online and found possibly some of my favorite webcomic pages on the subject, from “Orcs vs. Feminism.”

My favorite realization from the artist of this series is “Holy crap there are NO female orcs!”

So I was like, “Well what can I do to draw lady orcs for the world?”

Turns out my imagination was one step ahead of me.

There’s a work-in-progress comic starring my elf character, Auxaton (I talk more about his story in this blog post). In it, Auxaton meets a half-orc named Burnt. His dad was a human and that made his momma – Fern – a lady orc.

But I hadn’t drawn her yet UNTIL NOW:

fern the female orc sketch
It’s an unfinished sketch, but still wanted to share it.

She was actually my first try drawing a lady orc, and I found it fun.

Once I finished this, I went, “What other race in fantasy typically doesn’t feature women?”

The first race that came to mind: Dwarves.

So…

female dwarf ink sketch

I think the reason ladies aren’t often shown as orcs or dwarves is because there’s this assumption that orcs and dwarves are muscular, tough, and battle-hearty, which are traits not often paired with women.

In actuality, this is bogus. I run an entire blog called The Women Warriors Project to feature women in history who have fought in wars, as commanders, soldiers, or queens. Women like Nzinga Mbandi, Queen Padmini of Chitor, Bat Zabai, Hsi Kai Ching and Hua Mu Lan. And yes, these women actually existed, and lived, and fought, in our history.

If women can fight and be tough in history, why can’t they be fighters in fantasy?

While fantasy literature has been relatively good on this in recent years, comics are still sort of playing catch-up to this notion. Thankfully, in webcomics like Looking for Group, they’re featuring more lady orcs and lady dwarves. I think we need more of this.

Know any comics featuring these little-recognized badasses? Leave a comment below!

Thank you for reading, and I’ll see you tomorrow.

How to Draw When You Feel Uninspired

wahid comic clip

So you have your sketchbook open, your pencils ready, your watercolors waiting and eager to do your bidding.

There’s just one problem.

You don’t know what to draw.

This scenario happens to all artists no matter their place in their career path or their preference of artistic tools.

Every artist gets to a point where they just. Don’t. Know. What to draw.

But here’s a secret:

There’s billions of things you can draw.

If you don’t believe me, here are some suggestions for you.

1. Draw what’s close to you right now.

Where are you? Your room? The barber shop? The grocery store? Find a thing to observe, get out your paper and pencil, and draw what you see.

2. Draw something you’re not used to drawing.

Are you primarily a cartoonist who draws people? Try drawing some trees in the park. Try drawing some animals, like song birds, squirrels, dogs, deer, skunks, cats, parrots, ladybugs. Draw people dancing, sleeping, wrestling, shopping when they don’t want to shop, being indignant, smiling at an old acquaintance. Draw that pine tree you see out your back door. Draw that trash can that tipped over in the wind.

3. Have a theme on stand-by.

Sometimes it helps your drawing ability if you have a theme at the ready. That way you don’t have to spend too much energy trying to think of what topic to draw from.

For example, for me, January was the month I would draw Superhero Ladies in my sketchbook. When I opened my sketchbook and would say to myself, “Jeez, what can I draw?” I remember the theme and go, “Oh yeah! I’m going to draw a Superhero Lady. Let’s get started…”

The themes are up to you, but here are some fun ones to draw on (…puns!):

  • The Apocalypse
  • Frogs
  • Desert animals
  • People with mustaches
  • jewelry from around the world

4. Ask yourself what you want to accomplish when you sketch.

Are you sketching to improve your ability to draw the human nose? Or horses? Improving your use of colors? Want to build your memory bank so you don’t have to draw from reference? Do you want to draw better from reference?

Are you drawing just for fun? Or to get out an impulse? Did you have a bizarro dream?

You should have a reason to approach your sketchbook and draw. Otherwise…

5. Walk away and take a break.

This is perfectly ok. Sometimes you can make yourself draw, but if you have other things to do, do those things instead.

Sometimes the reason we’re stuck is because our mind is preoccupied with other things. Take care of those things so you can approach your sketchbook with a clear head.

There’s been times I could not draw because I was thinking, “I gotta’ do laundry. So I’ll throw in a load and then I’ll get back to this.”

99 percent of the time this works for me.

6. Is there something that ticks you off? Draw it.

Art is a good outlet for our emotions so that we don’t damage other people’s property. So next time you feel overwhelmingly angry, upset, frustrated, or depressed, get your sketchbook and just let it out.

7. Try a new tool.

Do you usually work in pencil? Try watercolors. Do you usually draw with pen and ink? Pick up some pastels.

Will you suck? Probably.

But experimenting with tools will help your mind break from its usual patterns and try something new and strange.

watercolor warrior sketch
My recent watercolor experiment.

I have found that routine, while helpful sometimes, gets you into a pattern that eventually runs dry in inspiration. The above tips will, I hope, help you break out of the routine and experiment with something new.

Because art is an experiment. It’s a way to test tools, ideas, and yourself.

So go for it!

Thank you for reading, and I’ll see you on Monday.

Commissions are Closed

There’s a feature on this site of mine that I like, that I unfortunately had to take down temporarily.

The feature announced my availabilty to do commissions, and linked to my prices.

I’m temporarily taking it down for a few reasons.

First, I’m swamped with work! Between two part-time jobs on top of making and reviewing comics, I have a lot on my plate. I need to finish a few things first before I take on any new commissions from anyone.

Second, once I AM available for them again, there is a sale I plan on having for my commissions. There are a few sales ideas floating around in my mind, and by the time I’m available for commissions again, I can safely announce them.

Third, I’m also making other things to sell through my Storenvy store.

There are a few things already done and good to go. Including FOUR new mini-comics: Duck for Dinner, Paintings at Night, Ladies with Mohawks, and Mr. Dino and Friends! I will also be getting new Johnson & Sir prints listed soon.

Fourth, I’m coordinating with the printer to finally get the first book of Johnson and Sir printed! The book is currently on pre-order (I’ll put the link at the bottom of the post) so you can reserve a copy.

The goal is to have print books ready and available by February 13th. But I’m having issues contacting the printer. I’m gonna blame the blizzards that have been blowing in recently.

So, yes, I have a lot going on. But these are good problems to have.

Thank you for your support in everything I do! Readers like you are the reason I’m able to make comics and write about them. Seriously. You’re the best.

I’ll see you tomorrow with a new post.

P.S. Here’s the button to click to pre-order your very own copy of Johnson & Sir (which is $10 and covers shipping and handling).