In today’s episode I review the new title by Image and Top Cow Comics, Switch by Stjepan Sejic, a creator I am a big fan of!
In case you haven’t heard of him (which would be surprising because he’s kind of a big deal), he created the webcomic Sunstone and did art for lots of comics in the mainstream, like Witchblade and even a brief stint on Rat Queens. Continue reading “Review Day Tuesday: Switch”
It’s another Review Day Tuesday video blog. Wheee!
In today’s review, I talk about In Real Life by Cory Doctorow & Jen Wang, and its take on economics and its effects on gamers.
If you’re interested in reading more things by Cory Doctorow, check out his Boing Boing page, and if you want to read more work by Jen Wang, read Koko Be Good and check out her website.
Let me know in the comments if you liked the review or, even better, what your thoughts were on the book!
Game Boss: The Final Form is an anthology I picked up at (surprise) Swarm Con.
Now, despite the title, not all of the stories within the anthology deal with video games. That may come as a surprise to you, because it sure surprised me.
As I read this, it occured to me that all of the stories, while not always dealing with video games, DID deal with a common theme: Transformation of the self, usually through a struggle, surprise, or sacrifice.
A page from “Flesh” by Lea Faske.
And to be fair…this anthology handles these themes very, very well.
There are too many stories for me to break this review down to review all of them, like I did with SIX. However, all the stories stand out for a variety of reasons.
The ones that stood out to me the most were “Flesh” by Lea Faske (pictured above), “No Parking” by Mad Rupert, and the first story that appears in the anthology, “Parting is Such Sweet Sorrow” by Ngozi Ukazu (fyi, she is the sweetest and coolest lady). These ones have the strongest art as well as the most interesting takes on the idea of “transformation,” ranging from straightforward shape shifting to transforming your world view to an emotional transformation through the sacrifice of another person.
A page from “No Parking” by Mad Rupert
As for the art, that’s also varied. The art styles range from the hyper realism of Yunfan Zhou to the bold-lined, Steven Universe-esque cartooning in “The Quest” by Gerardo Alba. If you want some fantastic visual variety in your comics anthology, this is the volume that will satisfy you.
A page from “Way to God” by Yunfan Zhou
Have you read this anthology? What did you think about it? Let me know in the comments!
I love Hiromu Arakawa’s work. She’s one of my biggest inspirations in my comics-making career.
But I haven’t read much of her work outside of Fullmetal Alchemist and bits and pieces of a volume of A Hero’s Tale. I know. I bring shame upon my nerd head.
My friend Chloe, who is also a big fan of Arakawa’s, gifted me The Heroic Legend of Arslan (volumes 1 and 2) for Christmas. I heard Arakawa was working on this with a writer by the name of Yoshiki Tanaka, so I was super excited to read this.
I was thoroughly entertained.
Is it perfect? No. There are times where it feels like the characters are just throwing up exposition, but the action, the art, and the sincere characters really pull you through.
The story is about a prince named Arslan. He is the son of the war-hardened King Andragoras, who has never lost a battle. When Arslan reaches the age of 14, he rides into battle with his father against the Lusitanians, and I will stop there or else I would spoil it.
The first chapter of this manga was actually written by Arakawa, and takes place four years prior to the main events, to help give some context for the rest of the story. Don’t skip that chapter. It actually helps to give some wonderful insights into the character of Arslan, and is entertaining as hell.
One thing I noticed though, is the character designs.
In Arakawa’s work, she tends to use character designs that are similar across her work. To help clarify, take a look at Solf J. Kimblee from Fullmetal Alchemist, versus Marzban Daryun from Arslan.
On the left, Solf J. Kimblee. On the right, Marzban Daryun.
Now take a look at Armstrong from Fullmetal Alchemist and Eran Vahriz from Arslan.
On the left: Armstrong. On the right: Vahriz.
It’s Armstrong with a beard!
I think the reason behind this is that this references something done by one of the original manga masters, Osamu Tezuka. Tezuka took character designs across works like this because he was heavily influenced by movies. He saw the characters as actors, and he would have the actors take on new roles in various productions…or comics.
I think that’s what Arakawa does, as well. Her characters are actors taking on new roles. Is this an intentional homage? Or an art gag? Knowing Arakawa, it could be both.
Back to the manga, once you get into chapter 2, that’s when the warring and battles start. This is the real meat and potatoes of this first volume in the manga series. And it’s written and illustrated well. It’s not for the weak at heart, though, because it does feature a lot of impaling and catching people on fire.
You know, war.
Because of that, the characters (Arslan is a sweetie and Daryun is my all-time favorite), and the art, The Heroic Legend of Arslan is the rare story that has gotten me interested in manga again! I could not set this book down because I was so excited and eager to see what would happen next.
So if you’re tired of seeing the same old romantic-comedy manga on book shelves, give this series a try. It’s a breath of fresh air.