The Anti-Censorship Comix Jam is NOW LIVE!

A graphic announcing the cartoonist Co-op Anti-Censorship Comix Anthology launching today. Text reads, “The Cartoonist Cooperative Presents; the Anti-Censorship Comix Anthology. Viewer Discretion is Advised. Available for free at https://cartoonist.coop/acj2026" Illustrations of a snake, a peach half, and greenery frame the graphic. At the center surrounded by yellow star shine is the anthology cover. It features a peach with oozing white fluid. The text on the cover reads “FUCK CENSORSHIP; Anti Censorship Anthology.” A stamp on the cover also reads “Approved by the Cartoonist Co-op”

F$@K CENSORSHIP!

The Cartoonist Co-op (which I’m a member of) has a new anthology out – F$@K CENSORSHIP! The Anti-Censorship Comix Jam!

A WORD OF CAUTION:

If you want to engage with this anthology and the statements on it, there are content warnings. Please, ONLY engage with the anthology and the website if you are up for it. Many of the comics and works on there (including my submission) have deeply upsetting, triggering, and sometimes downright awful material. The content warnings are there to help you prepare and gauge what to engage with, if anything. PLEASE use those content warnings for your safety.

This anthology was made after itch.io started cracking down on NSFW comics, art, and other content on their website. We understand that they only did it because the payment processors (including Stripe and Mastercard) are pushing for outright porn bans. And we also understand that those companies are doing so because of demands from alt-right “women’s rights” groups out of Australia (no I’m not kidding).

That said, companies censoring work sets a dangerous precedent. Because where does the line get drawn – and who draws it? And when those lines get drawn, who gets punished?

These are questions worth asking, and we elaborate on this as a collective in a statement on the Cartoonist Co-op website and on the Comix Jam.

Again, YOU HAVE BEEN WARNED that there are content warnings and upsetting material on the website. All the content/trigger warnings are listed on the front page of said website. ONLY engage with it if you are a) an adult, and b) ok with engaging with the material. You DON’T have to engage with it.

(I’m also re-iterating this because I did make a submission for this anthology, and I don’t want anyone leaving comments saying that any particular piece upset them, though I will probably get those complaints anyway. I warned you. Multiple times.)

So Why Did I Participate?

Because the older I get, the more I stand firm on one thing: no censorship. End of sentence.

It’s not just a matter of artistic expression, whether that expression is for catharsis or any other emotional release. Sometimes the drive to create something – anything – is too great to keep contained. There is that. Also, those questions I mentioned are worth asking: who is doing the censorship, and why? And who benefits from the censorship? More often than not, the benefactors are people trying to silence black, brown, and queer people, especially in this particular time in the United States. To be frank, it’s more than annoying that we are silenced while fascist ideologies and their “AI art” plagiarized from actual artists are allowed prime time on national airwaves.

I participated in this project because these questions matter. And it matters to keep making art – even gross, awful, perverted, even deeply triggering work.

I’ve seen the IBM management proclamation: “Computers cannot be held accountable, therefore they cannot make management decisions.” Then someone took that and made it “computers cannot be sad or horny. Therefore they cannot make artistic decisions.” Art is a form of expression. But if the only expression we allow fits within certain parameters, that’s censorship. Art is release, catharsis, expression, and skill, all combined to make the viewer react in some way. And part of what makes it art is that human element – a human made it, and a human engages with it. Whether they feel empathy, disgust, joy, etc, what matters is that we feel something.

That’s why I participated.

That’s all for now. Be safe, and take care of yourselves.

You. Are. Awesome.

Holy Banana Pants, I Love StickerApp

Y’ALL.

I need to sing some praises because holy banana pants, I love StickerApp, and here’s why.

holographic sticker of godzilla in booty shorts with a big, goofy smile

For one thing, they printed my Godzilla in Booty shorts holographic sticker. Not only did they print it, they printed it BEAUTIFULLY.

For another thing, I love the little details they put into their packaging. Pictured here is the cardstock cover that came with the stickers.

I’ve ordered from Sticker App TWICE now. While the inside is the same (and always silly), the outside features a new artist each time! This time it was TheCreativePain.

Another thing I appreciate – they bundle the stickers so well for shipping. I got, like, 60 Godzilla stickers and none of them were scuffed, torn, or otherwise damaged.

I got these stickers as part of a collaboration between StickerApp and the Cartoonist Co-op. Since I’m a member of the co-op, StickerApp got members like me a promo code to get $30 worth of stickers for free. So that’s how I got these booty-ful Godzillas this time.

Like I said, I ordered from StickerApp once before – they were my printer of choice in the original Godzilla and King Kong Crowdfundr I ran ages ago. They did a great job then, and I’m glad to see they’re still going great work!

Now, I haven’t tried any stickers besides the holographic ones. That said, StickerApp has the best prices for die-cut holographic stickers, in my opinion. If I ever need to print more, I’m going back to them, 100%.

Here’s a link to find out more about StickerApp, and here’s a link to find out more about the Cartoonist Co-op.

That’s all for now. Thank you for reading! Now go print some stickers!

You. Are. Awesome.

P.S. You can get these Godzilla in booty shorts stickers on Ko-fi. USA peeps get free shipping. I will also be bringing these to Handmade Toledo, as well as Street Cat Zine Fest and the Toledo Comic Arts Fest.

It’s Nib and Ink Fest Time!

Y’all, May is the month of Nib and Ink Fest – an online festival organized and run by the Cartoonist Co-op to celebrate comics!

We had the opening ceremony and the Minicomic Awards. There are tons of other programming happening now, from portfolio reviews to panels.

In fact, I ran a panel on Sunday, called “Tabling At Conventions for Beginners”! The panel is available on YouTube for replay:

Are you an artist who just got accepted in an artist alley? Have no idea what you’re doing? Then check out this video! There is also a very robust Q&A session afterward included in the recording.

This Saturday I’m running another panel, called “How To Make a Newsletter Your Fans Love to Read.” I’ll make a separate blog post for that one later this week.

I’m not the only one running panels, either – topics include Supporting Creatives With Jobs You’ve Never Heard About, What Art School Didn’t Teach You (all about the business side of art), and (I’m I’m excited to tune in for) Having Fun with Backgrounds and RSS & You.

Be sure to tune in for these workshops! They will all be livestreamed on YouTube and Zoom. If you want to participate in livechats, you have to watch on Zoom. All Zoom links and panels – and shops and more! – are on the official Nib & Ink Fest website.

That’s all for now. Thank you for watching and reading!

You. Are. Awesome.