I’m Discontinuing Art Books (For Now) – Here’s Why

a zine opens to two illustrations. On the left is a dragon in a vest, holding a magic staff. On the right is a dragon man, wielding a dagger and shield. Fingers from a white hand hold the spread open.

I’m discontinuing the print runs for my art books, including Witches, Gods & Spirits, and Dragons. Here’s why.

First, the cost of printing has gone up. Since 2021, the cost of printing books has increased across all the printers I work with. This is especially true for the printer who runs Witches, Gods & Spirits, and Dragons. (Stars of Fantasyville and CATS got printed with a different company.)

Second, when I looked at my sales stats across the decade, the numbers shocked me. I ran my numbers to account for which books earned the most from crowdfunding AND convention sales.   Dragons and Gods & Spirits barely made it in the top 10 overall earners list and the top 10 earned per year list. Neither title made it to the top 5 in either. Witches only made one list (top earners overall). 

And that’s if I took out Johnson & Sir from the stats. If I left that title in, the outlook for those art books looked worse.

Third, and this is the big one for me – I’m feeling called not to make any more art books. My energy wants to make more comics, and any art that’s not comics wants to be stickers and prints. Not art books.

I also want to work on and grow The Legend of Jamie Roberts. It’s hard to do that when time and energy are being put into art books that cost more and more to print but sell less and less. So I’m taking art books out of the equation, so more time and sweat can go where it wants to go – making comics.

So what does this mean?

Well, there are some shops I sell on consignment with who are carrying the last of my art books. Last week I dropped off the final copies of Witches and Gods & Spirits at Handmade Toledo. Quimby’s in Chicago and Indie Northern KY are also options if those are closer to you.

This also means no Junicorn or Inktober art books for the foreseeable future. My energy is not called to participate in those challenges anymore. So I’m going to honor that. I would rather pursue things out of joy and curiosity, not obligation. And Inktober doesn’t inspire me the way it used to.

The good news is – if you want art, prints and stickers are still happening! In fact, I’m hoping to do a flash sale soon to get two new sticker designs in print. If you saw this livestream replay, you may know which designs I’m talking about. Hint: Godzilla be thicc.

Here’s the difference – prints and stickers are happening when I want to make them. Not out of a viral art challenge or out of a sense of obligation. I’m making the art I want to make, that I feel called to make, that I think would bring joy to others. I want that to be my driving force moving forward.

Having said that, there are two exceptions (ish) to the final-run art books: Stars of Fantasyville, and CATS. Stars have a ton of extra copies left – like, over 60. I’m not doing another print run because the first print run is still in stock. But I won’t do a second print run of it either. 

CATS, on the other hand, will get reprinted as soon as possible. It was only released less than a year ago! It hasn’t had the chance to expand its reach yet. Also, it brings joy to me and many others.

As for the other books? It’s time their runs come to an end.

Don’t get me wrong – the art books did bring me joy at the time. But for reasons including the cost of printing, slumped sales, and discontinued interest, I’m letting the concept go.

Thank you, art books! You brought joy to me and a lot of others. I think it’s time to let you rest so new stuff can be made.

Stay tuned for more of that new stuff – including that flash sale I mentioned.

Thank you for your understanding and your support.

You. Are. Awesome.

The First 69 Page of The Legend of Jamie Roberts…

here is 1 of 69 pages that went into The Legend of Jamie Roberts. This shows a black and white version of an existing page, before colors and final touches are added.

Fun fact: the first 69 pages of The Legend of Jamie Roberts…were drawn traditionally, then colored and lettered digitally. After page 69, the comics-making process became completely digital.

Why? Well, I moved to a smaller apartment at the time. So I had to switch to a digital process to save on physical space. There was also the problem of my old scanner being in rough shape. I had to leave it behind in the move, and replacement scanners could not scan 11×17-inch pages.

Also…I wanted to achieve certain special effects in the pages of this comic. And those special effects are easier to do digitally.

I do like the work that went into these originals. I’m still very pleased with how they turned out. Yet I don’t have the space to hang them up or show them off.

So I’ve been sitting with these 69 pages in studio storage. I think it’s time they find homes where they can be shown off and appreciated more.

That’s why I’ve included these 69 pages in the Spring Cleaning Sale on Crowdfundr. There are also tons of other original art available, from sketchbook pages to pins and keychains. Plus, pages from my other webcomic projects are also available.

here is another one of 69 pages that went into The Legend of Jamie Roberts. This shows a black and white version of an existing page, before colors and final touches are added.

Shipping is free on these original pages, as well as the other big-ticket work that’s available. You have until May 6 to get these.

That’s all for now. Thank you for reading!

You. Are. Awesome.

Commissions I Like to Draw – A Video

Today, let me tell you about some of my favorite commissions I’ve drawn – while I draw a commission for a TikTok fan!

I’m available for commissions! Check this commission board for more info.

I will also be updating a few pages here on this site to highlight commissions I’ve done. So stay tuned.

⭐ To get free phone wallpapers and other goodies, join my email newsletter.

💜 Get early updates and behind-the-scenes peaks at The Legend of Jamie Roberts by supporting the comic on Ko-fi.

🎨 TOOLS USED:

  • Music – “Paradise Found” by Kevin MacLeod
  • Video Editing – Olive Video Editor
  • Recording/Audio editing – Audacity
  • Microphone – Blue Snowball
  • Drawing Program – Clip Studio Paint

👏 THANK YOU TO MY CLUB SUBSCRIBERS! 👏

To get your name added to this list, join one of my clubs.

  • magicalgirlkyra
  • All Unka
  • Raiden
  • Ella Q
  • Andrew Balch
  • Adam Vazquez
  • Maya Smith
  • Pat Jade
  • JessicaMcIntosh
  • RPZ
  • Bryce Bargar
  • Heidi Allison
  • Saphronia Maple
  • Cakes
  • Isaiah Broussard Art
  • C McClain
  • Rainer Kannenstine

And thank YOU for watching!

You. Are. Awesome.

Preparing for Awesome Con with Ben-Wright Heuman – A Live Stream

Lurk while Ben Wright-Heuman and I work and prepare for Awesome Con! We’re sharing a table at this event (happening March 8-10 in Washington, DC). Be sure to check out Ben’s website and YouTube channel, as well!

⭐ To get free phone wallpapers and other goodies, join my email newsletter.

💜 Get early updates and behind-the-scenes peaks at The Legend of Jamie Roberts by supporting the comic on Ko-fi.

🖌️ I’m available for commissions! Check my Commissions Board to get started.

🎨 TOOLS USED:

  • Streaming – Streamyard
  • Mic – Blue Snowball
  • Drawing software – Clip Studio Paint

👏 THANK YOU TO MY CLUB SUBSCRIBERS! 👏

To get your name added to this list, join one of my clubs.

  • magicalgirlkyra
  • All Unka
  • Raiden
  • Ella Q
  • Andrew Balch
  • Adam Vazquez
  • Maya Smith
  • Pat Jade
  • JessicaMcIntosh
  • RPZ
  • Bryce Bargar
  • Heidi Allison
  • Saphronia Maple
  • Bamboo Studiosbv
  • Cakes
  • Isaiah Broussard Art
  • C McClain
  • Rainer Kannenstine

And thank YOU for watching!

You. Are. Awesome.

I’m Leaving Instagram, Here’s Why

I'm leaving instagram! Shown here is an artist-rendered selfie gesturing to a balloon. The balloon reads "find me instead on YouTube, youtube.com/@kelcidcomics." Below are the words "thank you for your support! You. Are. Awesome."

I’m making it official. I am leaving Instagram, and here are my reasons why.

I know. Shocker. It’s yet another declarative blog post, YouTube video, or what have you declaring that yet another person is leaving Instagram. How original.

But I want to list my reasons. I feel that these are different enough from the reasons other folks have cited.

Does this mean I’m encouraging you to leave Instagram? I’m going to leave that up to you. These are just the reasons and arguments that I have for leaving. What you do with this information is up to you.

Reason One: Instagram is designed to keep you on the platform. It does not encourage sales or outward links to other work. There are no hyperlinks unless you make Stories, and Stories only last for 24 hours. There is also the dreaded, “Link in bio,” but doing that adds so many steps that it is not audience- or user-friendly.

Reason Two: my old Instagram account already got stolen. I was able to make a new account and recover a lot of my old followers. But Instagram is still a hotbed for scammers and bad actors.

Are scammers and bad actors exclusive to Instagram? No. But there’s an awful lot more of them lately. It’s gotten so bad that I had to leave a message in my Instagram bio saying, “Do not DM me.” And I know that strangers who send DM’s my direction are more than likely scammers.

Reason Three: I keep in touch with all of my work opportunities, colleagues, and friends outside of Instagram. All of my connections are either on outside platforms or directly with the people that I need to talk to.

Reason Four: I did a social media experiment back in October. In it, I realized that Instagram was the worst-performing platform that I posted to regularly. So if I leave Instagram, I won’t suffer for it.

Reason Five: I’m finding artistic inspiration in places outside of Instagram. To be honest, I’m finding inspiration on YouTube and through indie creator’s email newsletters.

Reason Six: nobody makes money on Instagram. Anybody who says they are is either already rich by other means or is trying to sell you something. And frankly, it is wild to me that some people still use Instagram saying that “it gets them work.” I have never found this to be the case, even since 2018.

And you might ask, “But what if somebody rejects me because I don’t have an Instagram account? Or don’t have enough Instagram followers?”

  1. Any work opportunity that demands you have X amount of Instagram followers is not going to pay you well. It is more than likely a scam. Do not engage.
  2. Every opportunity I applied for an art opportunity asks for your portfolio website first, then any social media handles after. It is more important for you to have a portfolio site than to have a social media account.

Reason Seven: Instagram operates on Skinner box logic. If you are unfamiliar, here’s a link to the Wikipedia article about Skinner boxes. But the short version is that Skinner boxes are designed to randomize results every time you push a button. The endgame is that users who push the buttons try to find reasons why the Skinner box rewards them. The fact that these platforms are randomized and act like slot machines is peak gambling behavior. It WILL warp your brain in bad ways. 

I wrote an entire anti-attention economy manifesto calling this out. Here’s a link where you can read that manifesto.

Reason Eight: I am not paying Instagram in the form of my attention and labor anymore. This ties into my anti-attention economy manifesto, but it also ties into an argument from Yanis Varoufakis. He argues that platforms like Meta, Google, and Amazon have turned into techno-fiefdoms, extracting rent from their users. And that includes attention and data. Honestly, just give this interview from Adam Conover a watch. It completely changed my outlook on how I interact with the internet at large.

So what’s next?

I will let folks know on Instagram with official announcements. I will still maintain my email newsletter, this blog, and my YouTube and TikTok accounts. That said, TikTok will not see as much activity from me.

Any art that would have gone up on Instagram will instead go up on this website. Having said that though, I don’t have to update it as frequently as Instagram would demand that I do.

That’s another reason that I’m leaving: Instagram demands that you post multiple times a day or multiple times a week. With no breaks. Again, the platform is trying to extract rent from you as much as possible. It’s what it’s designed to do, no matter how much it advertises its timer feature or its “wellness” features.

In short, I am leaving Instagram to engage with other platforms in healthier ways. With boundaries that I set for myself. 

I hope you stay tuned, and that you stick around to check out my art and other updates.

That’s all for now. Thanks for reading!

You. Are. Awesome.