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MatsuriCon: or, Why I Want to Sell at More Anime Cons, but Can’t

artist alley table layout

These last couple of weeks have been bananas for travel, from personal vacation time to selling my work in artist alley at MatsuriCon. My first anime convention in over 5 years (as a seller).

First, I was in Philadelphia for a personal vacation with my mom. My 30th birthday is this month, so we wanted to celebrate by going to a city neither of us had been to. We had a blast!

After the train ride back home, there were a couple of days for me to get ready for the next thing, MatsuriCon over in Columbus, OH.

So the headline of this post might make it sound like I had a bad time. This is not true.

MatsuriCon was freaking GREAT! For an anime convention, I was surprised how many people wanted to see original stories and art. I was a bit concerned, because of my 20+ products, only 3 things on the table were fanart.

Ok, I’m going to have an aside about selling fanart, because this is a hot-button issue among creatives wanting to sell their work.

Here’s the thing: if you can do something new and put your own spin on the fanart, then by all means, do that. I actually did that with this piece, taking a Kingdom Hearts bad guy and drawing him as an incubus:

incubus xigbar from kingdom hearts
Also on Tumblr.

The problem with fanart is when an artist does something BORING and makes money at it. Portrait shots of a character would fall under the “Boring” category…for me, anyway. If you’re new to artist alley, a portrait rendition of your favorite character from another artist might be exciting for you. But go to enough artist alleys, and you’ll begin to appreciate the artists who do unique things.

(Also a few of the portrait artists/people who do boring fanart are actually plagiarists. So keep that in mind, too. I’m glad some artist alley organizers are catching on to this.)

MatsuriCon actually had a rule in their Artist Alley contract that fanart could only take up 50 percent or LESS of the table. Any more, and that was considered grounds for having your table revoked. So there was a refreshing amount of original stories, products, and ideas in artist alley, which is REALLY FREAKING NICE.

Here’s a peek at the stuff I found in Artist Alley. Keep in mind, these are just what I traded for/bought:

matsuricon artist alley convention haul

Regarding sales of my own work, I made back 3 times what it costs for a table…or rather, half of a table. I was splitting a table space with my comics buddy Ben. We also stayed at his house, so we didn’t have to spend on a hotel room. And the both of us packed lunches, ate breakfast at his place, and just in general shared food. So all of that kept costs down for us.

I can’t speak for Ben because I don’t know how much exactly he made, but it’s fair to say the both of us made it in the black.

Plus, nearly everyone at the con was just a LOT of fun and very cool.

10/10, would go again…except…

Here’s where the headline of the post becomes relevant: the thing about artist alleys at anime conventions is that applications fill up FAST.

As in, within half an hour of opening, all open table spots are filled.

So, by the time I find out about a convention and check for artist alley spots, none are available. You either have to have that shit bookmarked so you can jump on it the INSTANT the alley applications open, or know the organizers of the con personally in order to get a spot.

As much as I want to go back to MatsuriCon next year, I’m just not sure that I can. We’ll see what happens.

That’s all for now. Thank you for reading!

You. Are. Awesome.

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Notre Dame Cathedral, Chaco Canyon, and Historical Preservation

Notre Dame cathedral in France caught on fire. And that got me thinking.

Specifically, it got me thinking about the importance of cultural preservation, how we got to caring about Notre Dame cathedral so much, and how we can carry that attitude moving forward.

We as an American/European culture got to caring about Notre Dame cathedral mostly because of Victor Hugo’s The Hunchback of Notre Dame – or, in the original French, “Notre Dame de Paris.”

Believe it or not, that book has nothing to do with the love “triangle” of Quasimodo, Esmerelda, and Frollo. That dynamic was more due to later interpretations and adaptations of the novel to the movie screen. (For more on that, check out this video by Lindsay Ellis if you haven’t already.)

No, the original book is a lengthy essay about the importance of architecture to a culture and how architecture outlives and outlasts the people who live around it.

So, if you ever read the book and wondered, like teenage-me did, why the characters are so unlikeable and why there are entire pages devoted to the flying buttresses… well, now you know.

In short, Victor Hugo’s book was written in an attempt to preserve Notre Dame cathedral at a point in time and history when cultural preservation wasn’t even a concept. Keep in mind, too, that when Hugo wrote the book, Notre Dame cathedral was practically a shell, having been looted and torn apart multiple times until he wrote “Notre Dame de Paris.” This book was written with the intent of telling people why this cultural edifice was so important, and urging people to restore it and preserve it.

I’m glad we now live in a world where historical and cultural preservation is a thing. And I’m glad to live in a world where the burning of Notre Dame Cathedral is considered a tragic event because of the historic significance of the landmark.

That said, don’t worry too much about Notre Dame Cathedral. Now, I’m saying this as an American Pagan and not a French Catholic. I’ve never seen the cathedral in person, and my only visual memory of it is the Disney adaptation of The Hunchback of Notre Dame. However, Notre Dame Cathedral has the Catholic Church and the support of millions of Catholics around the world to restore it. Notre Dame cathedral will be fine.

My hope is that we remember the significance of cultural landmarks like Notre Dame Cathedral, and we carry that attitude with us towards monuments and landmarks that are at risk.

Like, here in the United States, we have a lot of cultural parks at risk at the hands of our current government administration, who are more focused on resource extraction than on cultural or historic preservation.

As an example, let’s take a look at Chaco Culture National Historical Park in New Mexico. This site is not only a culturally significant site to MANY Native American tribes. It’s also the home of the oldest Pueblo ruins in the United States.

And the problem? The largest of those ruins, Pueblo Bonito, was excavated, but nearly half of it was buried again under a landslide. All of that work, and all of the artifacts left to excavate, was lost.

And my concern? Right now there are fossil fuel companies looking to build mines, or god forbid, go fracking, in the lands in and around Chaco Canyon. The earthquakes that those operations cause could bury more ruins and make us lose more history.

My hope? I hope we remember the example of Notre Dame Cathedral and we carry that momentum forward, to protect the cultural landmarks that contain our history.

Chaco Canyon and Notre Dame Cathedral mean different things, depending on your religious outlook. But they are both significant landmarks that have outlasted and outlived the peoples who originally built them. My hope is that we remember the significance of places like Chaco Canyon and we treat it with the same care and respect as we do Notre Dame.

Thank you for reading.

You. Are. Awesome.

P.S. If you would like to find out more about Chaco Canyon, here’s their official website (if you have the means to, they also accept donations). And be sure to check out (and if you can, support) The National Park Service, the organization that protects sites like Chaco Canyon nationwide.

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Xemnas (A Sketch)

Yes, I finally got a copy of Kingdom Hearts 3 and started playing it recently. (Don’t spoil anything! I’m still only one world into the game).

Kingdom Hearts is a game series I have a lot of fondness for in my heart, despite all of its issues. It was the series that convinced my teenage self that video games could be an art form because it prompted SO MANY FEELINGS (instead of just rage and frustration at the mechanics of whatever game I was playing).

This was the series that helped me get through high school. Not just because of its cool game-play or its silly character moments, but also because of the fandom.

Yes, I was one of those fans who giggled at the idea of rearranging Xemnas’ name into “Mansex.” Who loved all the crack comics comparing Saix to a puppy and having Demyx and Roxas use a laser pointer to torture him. I even devoured so many hours of a video series called “The Stupid Files” where a fan with a LOT of time on their hands spliced comedic audio samples over Kingdom Hearts cutscene footage. It was like a precursor to all the abridged anime series’ out now.

But.

Kingdom Hearts as a game series has a LOT of issues. I am not a fan of the fact that the spin-off titles, or “interquels,” change the core mechanics of the gameplay. I did not like the card system of Chain of Memories, but I ESPECIALLY hated the Tetris-inventory mechanics of 358/2 Days. I could not finish either of those games because of those gameplay mechanics.

As a fan of the series, I feel like a lot of those in-between games could have just been made into movies and be JUST as effective. Most fans of Kingdom Hearts I know only ever watch the cutscenes of the side games and play just the anchor games (the anchors being games 1, 2, and now 3).

That’s the thing that being a fan of Kingdom Hearts has taught me: that you don’t have to consume EVERY FACET of a property to be a big dork for the thing.

I will never play the interquel games. At most, I will watch the cutscenes. Heck, you can watch videos on YouTube summarizing the lore of Kingdom Hearts so far and – ta-da – you’re now caught up to the series without having to touch any of the crap side games.

(358/2 Days, why did you have to SUCK?)

That said, I’ve been playing Kingdom Hearts 3 so far – on Proud mode! I haven’t touched a new video game in 13 years and I can play Kingdom Hearts 3 on Proud Mode without dying. That…actually might be more a statement on the game’s difficulty than on my expertise. But that aside…

Playing Kingdom Hearts 3 reminded me why I love this game series in the first place. It’s fun to play (at least the anchor games are). The characters are stilted but they’re still fun. The dialogue is cheesy but it works. And GOOD GOLLY JEEZ, the fact that you can play as a character interacting in Disney worlds is great. I’m looking forward to the Toy Story world the most because those were some of my favorite movies as a kid.

It’s a game series made for people who are young at heart, who need a little light to combat all the cynicism and self-awareness that the video game industry is saturated in. And thank goodness for that.

That’s all I’m going to write for now. I could talk for days about this series.

Thank you for reading.

You. Are. Awesome.

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Designing a Print for RathaCon, Step 2: Pencilling

After much discussion and user feedback via Instagram, the votes trended towards THIS design shown up top. So I drew it.

RathaCon is host to a LOT of nerdy events, from tabletop gaming rooms to belly dancers and Quidditch. I wanted this design to incorporate the many scenes that RathaCon has played host to.

I even squeezed in some gears for the steampunk elements, because there’s a steampunk contingent that appears every year. Magic: The Gathering cards and comic books will fill up some of the spaces around the edges. Plus the GhostBusters logo is to homage the local GhostBusting team.

There’s still some details to fit in, but so far it’s off to a great start. Don’t ya’ think?

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Gods & Spirits: RE-LAUNCHED

On Monday, the initial campaign run for Gods & Spirits: A Sketchbook on KickStarter did NOT meet the goal.

And I know why.

I set the asking goal too high, and I incorporated rewards that should not have been part of the initial asking goal.

So I went back, made some tweaks, and re-launched Gods & Spirits on KickStarter, to take advantage of the demand for the book that WAS STILL THERE.

And within 2 days, WE MADE OUR INITIAL GOAL!

So now Gods & Spirits: A Sketchbook WILL be going to print once the campaign wraps up.

Now the next goal is to raise extra funding to get stickers printed.

There are 3 designs available, plus new reward tiers that include stickers as part of the package.

If you haven’t pledged to the KickStarter yet, I hope you take the time to check out the rewards and claim the one you like.

Thank you if you pledged to this campaign (again) – your support for this project is MARVELOUS!

Broke? Share this campaign with your friends and family searching for unique gift ideas!

That’s all for now. Thank you for your support!

You. Are. Awesome.