How I’m Preparing to Freelance Full-Time (Again)

preparing to freelance full time image post of author appearance artist alley table setup

If you’re a patron on Patreon, you know this already, but I turned in my two week notice at the local gas station I work at part-time. I’m now preparing to freelance with a more open schedule than ever before.

For the last year or so, this has been the situation: because of the part-time gas station gig (with indeterminate hours from week to week), there were times that making comics had to go from a full-time job to a part-time one. Then right back to full-time. It was a strain on my energy AND the energy of my clients.

Now that I’m leaving that station job, I’m freelancing more fully again.

So what am I doing to prepare myself?

Well, first thing’s first, I turned in my two week notice at the gas station, rather than just walking out or saying, “I QUIT.” This is not just to protect my ass just in case I need to get the job again. It’s also more professional of you to turn in a notice, instead of leaving at the last minute.

For the last week and a half to two weeks, I’ve been analyzing my income streams, which are these:

  1. Patreon (this includes producing The Legend of Jamie Roberts). It’s a weird day when you realize your passion project is paying for your groceries. A weird day, but a GREAT day.
  2. Making comics for clients. I have one dedicated client whom I’ve been working with for years. I have two whom I work with when they have work for me (which is intermittent at times). And I’m hoping to get more clients to draw/write/letter/design for.
  3. Commissions, which encompasses anytime someone wants me to draw their D&D characters or even family members or pets. This is usually through KickStarter, but I get occasional odd requests.
  4. DoorDash and/or other labor. However, I live in the middle of nowhere, so DoorDash isn’t as lucrative as it would be in a major city.
  5. Ko-Fi. This is still new, so I’m not sure how much this will bring in. But I’m keeping it in the income stream lineup.
  6. Consignment Deals. This one I only have to check in once every 3 to 6 months. So the income is not as regular as the other streams. But it pays out once a quarter, so it works.

KickStarters WOULD make the list, but they are exceptionally situational. Also sporadic.

I’m looking into other income streams. I’m considering going back to Gumroad to sell ebooks through (I want to avoid Amazon as much as I can). Otherwise I’m looking for new clients to fill out the gaps.

I’m also looking to launch a new KickStarter campaign. But you should sign up for the (free) email newsletter for more details on that. I’ll talk about it with subscribers in their inboxes tomorrow.

If there’s an idea that you think is worth considering, make a suggestion below. I’ll look into it.

Thank you for reading!

You. Are. Awesome.

Panel Pandemonium at Imaginarium

For a show I was invited to at the last minute, Imaginarium Convention in Louisville, KY was worth going to!

There were a few things that helped:

  1. I shared a table with two very cool authors: Neal Sayatovich, writer of dystopian psychological affair, and Joshua Hampton, writer of epic and high fantasy. Neal covered my table fee in exchange for some art (thanks Neal!).
  2. The folks at Imaginarium gave me a free pass in exchange for doing panels. 4 panels, to be precise.

Holy banana pants did I meet a LOT of cool folks at this show! From mermaid/pirate lesbian fiction writer DB Francais to Justin and Cory at Purvis Games, from Glenn Porzig to Mackenzie Flohr, holy jeez were these people super approachable and fun to chat with!

Most importantly, I learned a lot.

If there is one thing I can commend Imaginarium on, it’s their panels. While it’s kind of silly just how many there were (often having four or more happening in the same time slot), the breadth and depth of topics was hugely commendable. Plus, the panelists themselves knew what they were talking about. One author described the panels as “iron sharpening iron,” and he wasn’t lying.

Here’s a blog post listing the ones I presented in. I think the best moderated ones that I did were LGBTQ Characters in Fiction, Healthier Habits for Creatives, and Composing Newsletters for MailChimp and Beyond. The first two were moderated by Janie Franz, who is a marvelous lady. (Check out her stuff.)

Those were the ones I presented in though. I also attended a panel about Military in Fiction (Neal was in that one), Audiobooks, and Freelance Writing. The Freelance Writing one covered basically what I already knew – but the Audiobooks panel was immensely helpful.

Why? Because I want to get into voice-over and voice-acting. (Yes I’m aware the two are very different.) The Audiobook panel covered a lot, from authors finding and hiring talent and what they look for (always a plus) to knowing how to set up your own DIY recording space.

I’m REALLY jazzed about what I learned in these panels. The best thing is: these panels are giving me some new blog post ideas.

And with that, I’ll make my temporary leave. Hopefully next time I’ll have a tutorial for you.

That’s all for now. Thank you for reading!

You. Are. Awesome.