Claire and Tracy – A Sketch

claire and tracy work in progress art sketch

Today’s Throwback Thursday features Claire and Tracy.

These two starred in a story called Traveler’s Road. Unfortunately, the project has been shelved, and probably indefinitely, by the looks of it.

Why? Well, no matter how many chapter I wrote for the thing, they never came out right. So, the project is shelved.

Still, some good art came from it. Like this piece.

And now this is available as a hi-res download on Patreon and Ko-Fi.

This will likely be the last hi-res download on Ko-Fi, because it will be for written works only moving forward.

The Freelance Lifestyle – How to Keep a Client

In this installment of The Freelance LifeStyle, let’s talk about how to keep a client.

If you want to know how to GET clients, here’s last week’s post revealing my mind-bogglingly simple techniques.

So, now that you’ve used those techniques, you’re ready to keep clients!

Here’s how you go from portfolio to satisfied co-creator:

Be honest – let the potential client know if you have other commitments.

This is so you can let the client know that you and them will BOTH need to strike a balance between availability and actually working on the project. To this end, let the potential client know when they can reasonably expect you to deliver something. This is not the time for aspirational declarations.

I know – this flies WILDLY in the face of most freelancer aspirations of “set a deadline and then deliver the project early” or “deliver the project with extra bells and whistles a few days before the deadline!”

You are a human. And this is life. Things get in the way. Let your client know when that happens. Which leads to:

Keep that honesty in your communications.

I don’t care if you’re talking to your clients through email, phone, or Facebook messenger. Be honest with your potential client in the medium of your choosing (that means no sarcastic or meme-y remarks).

Do you have to share EVERYTHING that’s happening? No. Your client probably doesn’t need (or want) to know about your cat choking on a ballpoint pen cap before being eaten by a mutant boa constrictor. But if you are in a state of grief, just say, “Hey, things are really rough right now because my pet died.” You don’t have to go into details. Keep it simple.

Good clients will understand if you’re having an off day. Or an off week. (If they don’t get it, maybe don’t work with them any further. Just a heads up.)

Check in regularly.

“Regularly” can mean once a day, or once every couple of days, or once a week. As long as it’s consistent and NOT spam, that’s what matters. Don’t just drop off the face of the earth while working. (And clients, this goes for you, too. I’ve known a few clients who have just dropped off the face of the earth.)

Check-ins can look like whatever you need it to. Just keep up the communication.

Actually deliver what you promised.

You know that thing the client asked you to make? DO THAT THING.

Use whatever work flow method works for you. Pomodoro technique? Kanban board? A checklist? Use what works FOR YOU. (If you need ideas for how to structure your workflow, try one of Thomas Frank’s videos on YouTube. He does good beginner videos on productivity).

And as much as humanly possible – do NOT put the work off until the last minute.

“But I work better if I -”

No you don’t. You THINK you do, but you don’t. I have two sisters who are known stubborn procrastinators and I am the token sibling that turns work in early. I KNOW THE EXCUSES. They are just that: excuses.

You will make better work if you actually DO the work, one step at a time, one day at a time.

I tried procrastinating ONCE, in college – I pulled an all-nighter to make a painting that was due the next day. And I STILL didn’t finish it. It would have been better if I worked on that painting for even five or ten minutes a day for the week leading up to the due date.

Learn from that mistake.

Alright, I’ll end it here before this post gets any longer. If you have questions, leave them in the comments for me.

That’s all for now. Thank you for reading!

You. Are. Awesome.

How Do You Land Work as a Freelance Artist?

This is the question that has plagued Google and other search engines since the internet became popular. How DO you land work as a freelance artist?

Well, when you’re a freelance artist, I’ve really only found one or two methods that have worked above all else. You might want to sit down for this one, because it’s so mind-bogglingly simple and yet so difficult at the same time.

Here’s the two things you need to land work as a freelance artist:

  • a website
  • friends

That’s it.

No, I’m not joking.

A website will put all of your work in one place: your portfolio, your social media links, a sign-up page for your email newsletter, testimonials from people who hire you – ALL OF THAT. All of that goes on your website.

In my experience, people who hire artists don’t really give much of a shit what’s on your resume. They just care that you make good work, that you’re easy to contact and work with, and that you turn the work in on time.

Maintaining a website will help establish that you can do all 3.

“But how do I even get clients?” you might be asking.

You mean, other than having a website where people can find you online and look at your work?

Friends.

If you have good friends, they will be your first clients. Yes, you will likely need to discount your rates if you’re absolutely new to your field. But making work for friends (or your roleplaying group, or your book club, or whatever friend-group thing you do) will build your portfolio. Your portfolio is what will land you the work you want.

Do you want to be a character designer? Make character art for friends.

Do you want to be hired to make comics? Make zines illustrating an inside joke for your friends. (By the way, Chloe, if you’re reading this: “…apple pie.”)

Then, once you make the thing, post the thing on your website.

And then – get ready for this next part – ask your friends to spread the word that you’re available to work.

I have lost track of how many clients I’ve gotten over the years because a friend of mine said, “By the way this lady I work with is looking for an artist to (bleh).”

Is it really that simple? Yes.

Is this fast? NO.

Is the work worth it? YES.

If you’d like to see more posts about the Freelance Lifestyle, or if you’d like to keep up with my work, I have an email newsletter. It sends out once a week, and it’s the best way to stay in touch with updates on my blog and my webcomics.

That’s all for now. Thank you for reading!

You. Are. Awesome.

Adventures In Moving: The Cats Edition

two pet cats, scarlet the black cat and bree bree the gray cat sitting on my lap

In this week’s installment of Adventures in Moving, I’ll be talking about…cats.

I have 2 cats, Scarlet and Bree Bree. Both will be 14 years old in May (next month!). In the times they have been in my family, they’ve moved 4 times.

The first move happened when they were kittens, going from my neighbor’s house to ours.

Second, from our old family home to our new home.

Third, when they lived with my younger sister for a while.

And fourth, when they moved back into my home.

When I DO finally get an apartment and move, that will be their fifth move in their life.

Like I mentioned before, they’re reaching 14 years old. They are, by all accounts, cranky old ladies. I’m not sure how well they will handle this next move, especially since this one will be across the state.

I WILL say – Scarlet has surprised me. I had to take her to see the vet last week, which meant putting her in a carrier. For the first time in nearly 4 years.

She handled it better than I expected.

Of course she trembled. But I gave her treats and pets. And she didn’t hiss or growl while in the carrier.

(Reacting to the vet is a different story).

This response to the carrier has me hopeful, though. Hopeful that the move will be easier than anticipated. I expected a lot of growling and hissing and I didn’t get that from Scarlet.

Bree Bree, on the other hand…

Well, I have to take her to the vet as well, so we’ll see how THAT goes.

That’s all for now. Thank you for reading!

You. Are. Awesome.

Apprentice Wise Woman: A Sketch

Way back in 2014, I drew this Apprentice Wise Woman.

…Mostly to play with the aesthetic. But also to practice drawing with some new pens I had acquired at the time.

In retrospect, I consider her a prototype for The Woman of the Woods. The face paint patterns are also proto-Nafrit, Nafrits being the nomadic women warrior peoples in The Legend of Jamie Roberts. The gang hasn’t met them yet.

Actually, I may draw more ladies like this one…

Oh! And she’s available as a hi-res download for Ko-Fi and Patreon.