HOLY BANANA PANTS, it’s finally here – The Legend of Jamie Roberts, Chapter 1 is now on KickStarter, looking for funding to get to print!
Patreon support has helped make the production of each individual page possible. But KickStarter will help cover the gap to get this first issue to print.
The book will include a never-before-published short comic about Captain O’Malley (just how DID she lose her arm?). Plus there will be behind-the-scenes sketches showing how pages for the comic are made.
Among the rewards available for backers, there’s commissions, WANTED poster-style mini-prints, and even a new 11 x 17 inch print!
So if you can back this KickStarter campaign, please do so BEFORE JUNE 20.
Broke? Share this campaign with your friends. Every share helps.
Want to back the campaign, but don’t see a reward you like? Hit me up via email at kelci(at)kelcidcrawford.com and I’ll work with you.
May and September are my busiest months of the year when it comes to conventions and shows.
So imagine my surprise when I discovered I have only one show in June, and one show in July.
If this were me of last year, I would be doing my best to get more conventions lined up. But this year, between working a side hustle at a local gas station, having freelance gigs, and making The Legend of Jamie Roberts, I’m actually not too keen on trying to book as many conventions as possible.
This year, I want to try to save my convention energy for September.
Of course, I have shows before and after September, but that month has my biggest show on my roster: Small Press Expo.
YES, I FINALLY got a table at SPX! It’s been a goal of mine to have a table there ever since I learned about it, and I can’t wait to go!
I’ve been warned by some fellow indie comics creators to bring as much stock as I can, because other vendors had sold out of books on their first day. To that end, I want to build up as much stock as I can in the lead up to the show.
Now, I won’t have a full table at SPX. So I won’t be bringing my usual six-foot or even eight-foot set-up. I’ll just be bringing my books, my zines, and one or two large prints. That’s it.
That said, I’ll be working on freelance gigs and making The Legend of Jamie Roberts in the time between shows. The funds raised through those endeavors will be saved back for SPX and its related costs.
So if you don’t see me online a whole lot, it’s because I’m working to get backlogs in all the right avenues in order to be prepared.
Before I go into complete work mode, though, there is ONE thing to do…
I’ve been to RathaCon many a year before. It was one of my first shows as a vendor, and has since become one of my anchor shows. Because of that, I do my best to go every year. I even turned down the offer to go to Awesome Con in Washington, DC again to get to RathaCon instead.
(Mostly because both shows were happening on the same weekend… but RathaCon is physically closer to me and lasts only one day. So I could just drive down, show off, and drive back home without paying for a hotel. Very nice.)
However, this year, RathaCon had a couple of things working against it.
See, Awesome Con wasn’t the only other show happening the same weekend: there was also Gem City Comic Con, and two other shows in West Virginia that I can’t remember the names of. So RathaCon had to work extra hard to get folks to come in.
To my understanding, they ran radio ads, because there were a few attendees who mentioned, “I didn’t know this show was a thing until I heard about it on the radio yesterday! So I HAD to check it out!” So, kudos to the RathaCon staff for getting the word out.
That said, the crowd this year was about the same size as last year’s audience, but they thinned out WAY sooner towards the end of the day. Partly because of the rain, I think.
I’m not sure how many attendees were current students of Ohio University, though.
One of the reasons the convention staff picked the day they did was to try and entice the local college crowd to come and attend.
But here is where another factor worked against them: April 27, the day of RathaCon, was a week before finals. No sane college student is leaving campus the day before finals week hits, unless they are Sherlock Holmes’-level of confident about their work.
When I talked about it with the staff, we mentioned the idea of offering discounted attendance to people who brought a valid OU ID. Hopefully they do that next year.
Another thing I hope they do next year: get volunteers who check in with the artists more often throughout the day. I was the only person at my table and, aside from the one or two times I could see another neighbor’s table, I could not leave my spot. I’m glad I packed a lunch.
This is a grievance I’ve already discussed with the staff, and they’re working to resolve the issue for next year. I’m confident they’ll fix it, because RathaCon is VERY good at accepting constructive criticism and working to improve year after year. That is one of the reasons they are my anchor show.
In conclusion: was this the best ever RathaCon so far? No. It wasn’t awful or even bad. But there will be changes next year. Hopefully for the better.
And hey! I booked another appearance before 3 Rivers Comicon!
If you’re in the Saint Clairsville, OH area on May 4, stop at New Dimension Comics in the Ohio Valley Mall. They’re running Free Comic Book Day, and they gave the OK for me to showcase and sell my work. Also, there will be a GhostBusters division there. (I talked to some GhostBusters at RathaCon and they mentioned they were appearing at FCBD at the comic shop.)
For the sake of full transparency, I want to keep y’all in the loop. Considering that I missed the update for The Legend of Jamie Roberts on April 17, you should know what’s going on.
Patrons on Patreon already know the gist, but I don’t think I went into detail about it. And I may have mentioned this a few times here on the site, but…
In short, I got a side hustle working at a gas station in my town.
Back in September of 2018, I left the comic shop I was working at, due to some drama I will NOT get into here. For the next two months after that, I kept to making Validation, doing Patreon work, selling at conventions, getting consignment earnings, and freelance gigs.
With those income streams, I was able to pay for rent, groceries, and everything else I needed to live. However, it was not paying off my student loans at the clip I wanted, and my savings goals were suffering.
So I bucked it up and applied for part-time work at the local gas station. They needed someone to come in from 2 pm to 10 pm, which works for me, since I do my best creative work in the mornings. It also paid $9.50 an hour for the first 6 months of the job, and it’s set to jump up to $10 an hour after that period. Plus I could earn quarterly bonuses if the store kept up the friendliness and cleanliness ratings. And after working there for one year, I could open a 401K and get stock in the company – even as a part-time worker. That’s, frankly, unheard of around these parts.
That said, comics are still my full-time endeavor. I’m sticking to the gas station as a part-time side hustle to pay off the student loans faster, and save back a little bit for my savings goals… including a new laptop and tablet set-up. My current laptop is close to 8 years old and Clip Studio Paint tends to crash at least once a week on this thing.
Now, I wanted to talk about this because in May, there’s plans to run a Patreon Pledge Drive.
“But wait,” you might be saying. “Why have a Patreon Pledge Drive when you can keep working at the gas station part-time and use that money for your stuff?”
The gas station gig is to pay off debt and save back for some savings goals. That’s it.
Patreon earnings right now cover groceries, my phone bill, and one or two business expenses. And everything else I need gets supplemented by freelance gigs.
And I’m sticking to comics as a full-time job because IT’S WHAT I WANT TO DO.
My goal is to increase Patreon from its current $215/month rate to $500/month.
By doing that, Patreon can cover the groceries and phone bill, yes. AND it would cover rent, gas to conventions, website hosting, domain registrations, and art supplies needed for making the comics actually happen. By doing that, I would be less reliant on freelance gigs.
Don’t get me wrong, I’ve liked (most of) the clients I’ve worked with. But freelance earnings are REALLY inconsistent from month to month. If Patreon earnings can go up, I can curb the need to do freelance work to bridge the gaps.
Also, fewer freelance gigs means more consistent comic updates. Because that way, I’m not trying to split my attention and time between the gas station, Patreon, and however many clients I’m working with on freelance projects.
So be prepared for the Patreon Pledge Drive to happen throughout May. The Pledge Drive will include: