I don’t have a lot of updates for you – aside from “Hey, I’ll be at 3 Rivers Comicon this weekend, May 11 and 12 in Homestead, PA.”
So here’s a sketch of an eel girl because I forgot it was Mer-May.
(Yeah, this was sketched before Mer-May, so ssshhhh).
For the sake of full transparency, I want to keep y’all in the loop. Considering that I missed the update for The Legend of Jamie Roberts on April 17, you should know what’s going on.
Patrons on Patreon already know the gist, but I don’t think I went into detail about it. And I may have mentioned this a few times here on the site, but…
In short, I got a side hustle working at a gas station in my town.
Back in September of 2018, I left the comic shop I was working at, due to some drama I will NOT get into here. For the next two months after that, I kept to making Validation, doing Patreon work, selling at conventions, getting consignment earnings, and freelance gigs.
With those income streams, I was able to pay for rent, groceries, and everything else I needed to live. However, it was not paying off my student loans at the clip I wanted, and my savings goals were suffering.
So I bucked it up and applied for part-time work at the local gas station. They needed someone to come in from 2 pm to 10 pm, which works for me, since I do my best creative work in the mornings. It also paid $9.50 an hour for the first 6 months of the job, and it’s set to jump up to $10 an hour after that period. Plus I could earn quarterly bonuses if the store kept up the friendliness and cleanliness ratings. And after working there for one year, I could open a 401K and get stock in the company – even as a part-time worker. That’s, frankly, unheard of around these parts.
That said, comics are still my full-time endeavor. I’m sticking to the gas station as a part-time side hustle to pay off the student loans faster, and save back a little bit for my savings goals… including a new laptop and tablet set-up. My current laptop is close to 8 years old and Clip Studio Paint tends to crash at least once a week on this thing.
Now, I wanted to talk about this because in May, there’s plans to run a Patreon Pledge Drive.
“But wait,” you might be saying. “Why have a Patreon Pledge Drive when you can keep working at the gas station part-time and use that money for your stuff?”
The gas station gig is to pay off debt and save back for some savings goals. That’s it.
Patreon earnings right now cover groceries, my phone bill, and one or two business expenses. And everything else I need gets supplemented by freelance gigs.
And I’m sticking to comics as a full-time job because IT’S WHAT I WANT TO DO.
My goal is to increase Patreon from its current $215/month rate to $500/month.
By doing that, Patreon can cover the groceries and phone bill, yes. AND it would cover rent, gas to conventions, website hosting, domain registrations, and art supplies needed for making the comics actually happen. By doing that, I would be less reliant on freelance gigs.
Don’t get me wrong, I’ve liked (most of) the clients I’ve worked with. But freelance earnings are REALLY inconsistent from month to month. If Patreon earnings can go up, I can curb the need to do freelance work to bridge the gaps.
Also, fewer freelance gigs means more consistent comic updates. Because that way, I’m not trying to split my attention and time between the gas station, Patreon, and however many clients I’m working with on freelance projects.
So be prepared for the Patreon Pledge Drive to happen throughout May. The Pledge Drive will include:
I’ll do my best to keep the Pledge Drive entertaining and not annoying. But bear with me for the next month.
That’s all for now. Thank you for your patience and support.
You. Are. Awesome.
This post does contain affiliate links. Bear with me.
So this started, initially, as a multi-part blog post series.
Then it got complicated.
Specifically, the art got complicated, and I wasn’t able to make a new blog post each week to detail the process of making this thing.
Let’s go into the details, though, so I can show you WHY this art took so long. And also how I make big illustrations like this one.
STEP 1: THUMBNAILS
Thumbnails are what I like to call the really rough sketches of an idea. It’s something I borrowed from animation film language.
I already wrote a post about this step, which you can read here.
STEP 2: PENCILS
I wrote about why I choose this design, as well as the details of it, in the second part of the blog series. Now I’m going to get into the how.
It took a little while for the email chain with the convention staff to start (another reason that the weekly blog post idea had to get pushed). But once it got going, I was able to get feedback and get to work.
Pencils – or, the sketched the version of a thing – is something I do with just one pencil in one go.
When I first started in comics, I USED to do the undersketch with one pencil (usually a 2H), then the top layer in a darker tone (like B).
Now, I do all of my pencilling with just one pencil. Usually a mechanical one. I believe the RathaCon art was drawn with my Tombow monograph mechanical pencil, but right now I am in LOVE with the Zebra DelGuard mechanical pencil.
STEP 3: INKS
This step takes a deceptively long time.
It takes a long time for me because I try to control the line weight as much as possible: making some areas dark with a bolder line, but light with a lighter line.
Inking is also the stage where I have to squint at my pencil drawing and determine what lines will look the best when inked.
Because pencils are when I get real loose. Inks are where things get tight and snappy.
STEP 4: COLORS
Depending on the piece, I’ll make it either traditional-only (usually with Copic markers). Or I make it a combination of traditional and digital. Or I have all the colors be digital.
For the RathaCon print art, I opted to combine the traditional and digital modes. So I colored with my Copics first, then scanned the art, to start the next step…
STEP 6: DIGITAL EDITS
At this stage I go back over the art in Clip Studio Paint and erase any stray marks, fix any color bleeds, and generally just clean the piece up.
I also like to adjust how much the colors pop at this stage. So I play with the levels a little.
STEP 7: DIGITAL COLORS
With the RathaCon art, the only digital color I needed to add was the background tint.
In almost any other piece, I’ll add a layer over the art in Clip Studio Paint in order to add shadows. These make the art pop even more.
STEP 8: FORMATTING
I originally made the art for this print at 11 x 17 inches.
About a week ago, the RathaCon staff asked if I could make the piece an 8.5 x 11 inch one instead.
Pro tip: it’s WAY EASIER to shrink an illustration than to enlarge it.
It took a little wiggling to keep the scale of the piece consistent and not accidentally cut off bits of it. But a new scale was figured out.
And there you have it!
As I mentioned, this art will be available as a limited edition 8.5 x 11 inch print at RathaCon, for $10 a piece.
So if you’re in Athens, OH on April 27, I hope you get it! This is a limited print run, so once it’s gone – it’s gone.
I’ll have these beauties for sale at my table, and they’ll also be available at the RathaCon official table.
Thank you for reading!
You. Are. Awesome.
One of my Patrons on Patreon, Pat, suggested I draw a UniDragonMaid. Little did she know that I would ACCEPT THE CHALLENGE.
Why a UniDragonMaid? Well, I was looking for ideas to draw for an upcoming art show in Columbus, OH themed around mythical creatures.
And… well, she was too cute of an idea to pass up.
I drew her with some colored Bombay India Inks a friend of mine gifted to me recently. The lines were drawn with a Kuretake Bimoji Fude Brush Pen I got from ArtSnacks.
Patrons on Patreon not only made the request to get her drawn, but they got to see her published before the general public. If you would like me to draw random things for you, consider supporting me on Patreon with a monthly subscription.
Gods & Spirits was the theme I did for this year’s Inktober – the artist challenge to make a new ink drawing every day during the month of October.
Last year I had done Inktober, themed with Witches. Once I was done I gathered the sketches into a book (Witches: The Sketchbook), put it up on KickStarter, and it got funded.
This year, after I wrapped up the sketches…
(The above is just a sampling of the sketches done during this year’s Inktober)
…I thought, “Hey! Let’s put THESE sketches into a book, as well.”
And that’s why Gods & Spirits: A Sketchbook is on KickStarter, looking for support.
This will be a SHORT campaign – it ends on November 12th.
However, there are Early Bird Special rewards that are only available until the end of TODAY, November 7. Here’s a link to the campaign to check out the early bird rewards.
I realized upon launching this that I may have put the asking goal too high, especially for a 7-day KickStarter campaign.
I DO hope we make it to the goal! But if we don’t, expect a few modifications to the campaign to lower the asking goal and a relaunch of the campaign shortly after.
Still, I DO hope you back this campaign, because if we make our goal by November 12th, the sooner this book and the rewards can be done for the holidays!
Rewards for this campaign include commissions – HOLY BANANA PANTS there are so many commission slots available!
There’s also copies of the book, prints, and something new I haven’t offered before…STICKERS.
These will be printed through StickerMule and measure roughly 4 inches each, so be sure to make some space on your sticker surface of choice.
If you can give to this campaign, PLEASE do!
If you’re broke, share this campaign with your friends. Every share helps.
Thank you for your support, however you give it!
You. Are. Awesome.
