Tag Archives: patreon

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Rethinking How to Run a KickStarter

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johnson and sir kickstarter art

One of the people I met at 3 Rivers Comic Con this year mentioned a podcast called ComixLaunch and recommended I give it a listen. So I did.

This is going to sound like product placement or a sponsorship, but let’s be clear, it isn’t. ComixLaunch is a podcast entirely about making comics and art, and running successful KickStarters to fund said comics and art, and how you can make a living as a working artist.

So I kinda’ got hooked after four episodes.

One episode in particular, Episode 95, is about why now is the best time for comickers to run KickStarters. It got my attention about halfway through the episode for one reason: Continue reading →

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Bringing Blog Posts Back!

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rathacon convention artist alley table 2017

Alright! I’m back from RathaCon in Athens, OH. Not a whole lot of sales were made, but lots of folks signed up for the email newsletter and, by the sounds of it, I got a comic shop in the area interested in consigning my books. Plus I got to meet an indie filmmaker looking for pitches (I’ll get to him in the next post), and a T-shirt designer who REALLY liked my Dia de la Gata card design and wanted to get that on a shirt. (I’ll get to that in the blog post after the one about the filmmaker.) Continue reading →

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These Updates Brought to You By Ukulele

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(This video was recorded January 17, 2017)

All the relevant links I mentioned:

Validation

Validation‘s Patreon Page

The Case of the Wendigo

My Patreon Page (especially for The Case of the Wendigo)

Storenvy (to get my comics, minicomics, prints, miniprints, etc)

Thoughtful Dinosaur KickStarter Page

Sign up for my email newsletter to find out when I can do commissions for you

The Thomcast

WheezyWaiter

My Review of Heart of Darkmeat

The next vlog update will be after Feb 23rd. Any comics-related news from me will be on this here blog.

Thank you for watching!

You. Are. Awesome.

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Why I’m Going to Stick to Crowdfunding From Now On, Thanks

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thoughtful dinosaur comic strip panel

Backstory:

I applied for a grant through my state, to possibly get some funding for comics and convention appearances so I don’t have to rely entirely on my day job income, Patreon, and KickStarter. I made it to the next to last round of judging, and saw that there was a panel happening the other day to determine the finalists.

So I requested the day off from the day job, drove to the city, and sat through the panel.

Now, I was expecting to be interviewed or to have to defend my case to the panelists.

Yeah, no. Guests weren’t even allowed to talk to the panelists. So the review process was sitting in a dark, cold room for three hours watching slides and three panelists take notes.

Now, the category I submitted to was Visual Design, because apparently that’s the category you put comics in. The problem? This category also covered furniture design, fashion design, and bookbinding.

That’s right: comics, as an art form, was being judged next to furniture and dresses.

Before I get into the tangent of comics as a medium having an entirely separate language and aesthetic from dresses and furniture, let’s talk about the panelists. There were three of them. One was a fashion instructor. One was a 3D artist specializing in (drumroll, please) furniture, and the third… I think she was there because she got a design degree from OSU. Her critiques were basically, and often literally, “I didn’t like it. It looked strange,” or “this looks nice to me.”

Let’s just say, half of the 16 submissions were comics and graphic novels, and only ONE made it to the top 5 (and it wasn’t me). The rest were costume designers or other 3D artist types.

And in the final elimination round, to the surprise of no one, the comic artist got the boot.

I was really hoping for better on that day. I was really hoping that somebody in the comics field would get this grant, even if it wasn’t me – hell, when I looked at my submission on the slides, it turned out that the system I submitted my work through warped my art and fucked up the dimensions of my comic strips. So I’m not surprised that I didn’t get the grant.

But there were artists who sent work better than me, who were not furniture and fashion designers, and they got the boot because the council could not recognize that comics have a different visual language, and different aesthetic values, than the unbalanced panelists could work with.

So, fuck it. I’m not applying for state grant funding again.

I’ll just stick to crowdfunding and convention sales from now on.

Did you have a better experience with arts councils or state-funded grants? Or was your experience just as awful? Share it in the comments below. I would love to read them.

Thanks for reading.

You. Are. Awesome.

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