The Anti-Censorship Comix Jam is NOW LIVE!

A graphic announcing the cartoonist Co-op Anti-Censorship Comix Anthology launching today. Text reads, “The Cartoonist Cooperative Presents; the Anti-Censorship Comix Anthology. Viewer Discretion is Advised. Available for free at https://cartoonist.coop/acj2026" Illustrations of a snake, a peach half, and greenery frame the graphic. At the center surrounded by yellow star shine is the anthology cover. It features a peach with oozing white fluid. The text on the cover reads “FUCK CENSORSHIP; Anti Censorship Anthology.” A stamp on the cover also reads “Approved by the Cartoonist Co-op”

F$@K CENSORSHIP!

The Cartoonist Co-op (which I’m a member of) has a new anthology out – F$@K CENSORSHIP! The Anti-Censorship Comix Jam!

A WORD OF CAUTION:

If you want to engage with this anthology and the statements on it, there are content warnings. Please, ONLY engage with the anthology and the website if you are up for it. Many of the comics and works on there (including my submission) have deeply upsetting, triggering, and sometimes downright awful material. The content warnings are there to help you prepare and gauge what to engage with, if anything. PLEASE use those content warnings for your safety.

This anthology was made after itch.io started cracking down on NSFW comics, art, and other content on their website. We understand that they only did it because the payment processors (including Stripe and Mastercard) are pushing for outright porn bans. And we also understand that those companies are doing so because of demands from alt-right “women’s rights” groups out of Australia (no I’m not kidding).

That said, companies censoring work sets a dangerous precedent. Because where does the line get drawn – and who draws it? And when those lines get drawn, who gets punished?

These are questions worth asking, and we elaborate on this as a collective in a statement on the Cartoonist Co-op website and on the Comix Jam.

Again, YOU HAVE BEEN WARNED that there are content warnings and upsetting material on the website. All the content/trigger warnings are listed on the front page of said website. ONLY engage with it if you are a) an adult, and b) ok with engaging with the material. You DON’T have to engage with it.

(I’m also re-iterating this because I did make a submission for this anthology, and I don’t want anyone leaving comments saying that any particular piece upset them, though I will probably get those complaints anyway. I warned you. Multiple times.)

So Why Did I Participate?

Because the older I get, the more I stand firm on one thing: no censorship. End of sentence.

It’s not just a matter of artistic expression, whether that expression is for catharsis or any other emotional release. Sometimes the drive to create something – anything – is too great to keep contained. There is that. Also, those questions I mentioned are worth asking: who is doing the censorship, and why? And who benefits from the censorship? More often than not, the benefactors are people trying to silence black, brown, and queer people, especially in this particular time in the United States. To be frank, it’s more than annoying that we are silenced while fascist ideologies and their “AI art” plagiarized from actual artists are allowed prime time on national airwaves.

I participated in this project because these questions matter. And it matters to keep making art – even gross, awful, perverted, even deeply triggering work.

I’ve seen the IBM management proclamation: “Computers cannot be held accountable, therefore they cannot make management decisions.” Then someone took that and made it “computers cannot be sad or horny. Therefore they cannot make artistic decisions.” Art is a form of expression. But if the only expression we allow fits within certain parameters, that’s censorship. Art is release, catharsis, expression, and skill, all combined to make the viewer react in some way. And part of what makes it art is that human element – a human made it, and a human engages with it. Whether they feel empathy, disgust, joy, etc, what matters is that we feel something.

That’s why I participated.

That’s all for now. Be safe, and take care of yourselves.

You. Are. Awesome.

Read Black Comics! Special is LIVE!

The Co-op Comix Mixtape podcast has a new episode out now – the Read Black Comics! Special!

This episode was put together by Iris Jay, Yuki Clarke, Adam, and me, with member contributions included in the episode, and cover art by Alina Wahab. You can listen to it wherever you listen to podcasts, including Pinecast and YouTube!

If you’d like to subscribe to the RSS feed to never miss an episode, you can do so with this link. New episodes will be posting once a month.

Thanks for tuning in!

You. Are. Awesome.

Bash Con – A Quiet Non-Bash

my bash con table in 2026, covered in zines and indie comics on a yellow tablecloth

So a few things before I go into full details:

When speaking with the staff and with vendors who had been to Bash Con in the past, I found out that:

  1.  Apparently Bash Con has been a University of Toledo event for nearly 40 years – which is bonkers to me because I had never heard of this show until a year or two ago.
  2. This show is usually held in March. So, the fact that it happened in February this year is an anomaly compared to past years. This made me wonder, more than once, “Why did they reschedule? Especially because February in Toledo isn’t exactly spring time.” (Plus we got a fresh blanket of snow on Friday – day 1 of the event.)

I think that both of these factors – that the show is advertised by word of mouth, and that they rescheduled from past years – contributed to the show floor being so…quiet.

There were attendees, don’t get me wrong. I wasn’t sure what kind of crowd to expect (because I had not attended this show before). But the crowd was small. I don’t think paying $40 for a half-table would be worth it for most people, considering the low attendance.

That said, local artists like me did not lose out a whole ton. At a show like this, it helps to be local because you’re not out the cost of a hotel or AirBnB. I had recouped the cost of the table fee through other means, and my only other expense for this show was meals. Thankfully I made enough sales that I recouped that cost on day 2. (I don’t tend to count the cost of printing because printing is used to make merch that gets carried over to future shows.)

On the plus side, the folks who did stop by my table were mostly lovely! There were only two people that made me go, “Please walk away” in my head, which…it’s Toledo. Having that internal reaction to two people at an event in Toledo is the batting average. I had the same thing happen at Momentum in 2024 and the Toledo Comic Arts Fest last year.

There was another unexpected perk from Bash Con, but to talk about it, I need to establish a little context.

Most conventions don’t have lunch breaks. The expectation is that you will eat something from the vendors who service the convention center or whatever hall is hosting. (Unless you sneak in snacks.) It’s considered lucky if a convention has a Green Room with snacks and drinks for the vendors and guest artists. (This is part of why I love A2CAF – they have a green room with full-on catering, and it’s lovely.)

Bash Con did it a little differently. Saturday the vendor hall was open from 10 am to 10 pm…but closed for lunch and dinner so the vendors could get food. Once at 1 pm for an hour, and again at 6 pm for dinner. I genuinely did not expect that, but it was super helpful!

Also, the event was held at the University of Toledo student union. The top floor has a restaurant called Phoenicia, with diner seating and everything. And just about all of my meals for the weekend came from them because their food is freaking delicious. They also had tea with honey! Bless them. They saved my poor throat – I only just recovered from a nasty cold, and forgot how much talking is done at a con, even a slow one. Their tea saved me multiple times.

FINAL VERDICT: vendors – locals only for this one. Please don’t drive in from outside of the Toledo, OH area to set up here. Maybe it’ll be a different story if they hold this again in March next year, but that’s yet to be seen.

Bash Con – for the love of all that is holy, you gotta promote this show better! Social media alone is not going to cut it. If you need pointers, reach out to the organizers of Pittsburgh Indie Expo. They ran their first show last year after a long hiatus and the turnout was huge. I can give you their contact info, just let me know!

That’s all for now. Thank you for checking in!

You. Are. Awesome.

February Rewards for My Club Members

I have the following rewards lined up for my Ko-fi Club members!

For my Art Club folks, you’re getting a Jackie Ormes mini-print! She’s considered the first African American woman cartoonist, and is the creator of Torchy Brown and Patty-Jo ‘n’ Ginger.

black history month jackie ormes cartoon sketch art

And for my Zine Club members, I’m reprinting my Black History Zine!

black history sketchbook cover

This reprint is getting a new format compared to its original print run. I’m very excited to get this back in print!

If you want to get these rewards in your mailbox, be sure to join my club over on Ko-fi.

Broke? Then check out the posts I wrote for Black History Month about Queen Aminatu, Nina Simone, and Richard “Grass” Green! And I have even more Black History sketches for your to peruse.

That’s all for now. Now go learn some cool history!

Thank you for checking in.

You. Are. Awesome.

BROOD – A Surprisingly Wholesome Tentacle Porn

BROOD header, in bright magenta pink, with two topless young men. One gazes at the other, while the other gazes at the viewer.

DISCLOSURE: boney, the creator of BROOD, and I are members of the Cartoonist Co-op. Boney had put out a call asking for reviews while BROOD runs for crowdfunding, and I asked for an ARC, which they gave. All opinions that follow are my own.

CONTENT WARNING: This review discusses a pornographic work, specifically one that covers tentacles, male impregnation, and egg stuff. If any of these topics are squicky to you, I recommend you take a breather and step away from this one. I have a ton of other stuff for you to check out, so poke around the website or on my webcomics instead.

Long-time readers might be wondering why I’m even covering this book. The short answer is: I love reading, and will try anything at least once. BROOD falls outside of my usual purview for what I review, but I wanted to give this work a shot.

So What is BROOD?

BROOD is the story of Rael, an elf boy who has a massive crush on the party archer, Dav. (By the way, there is a LOT of fantasy/Dungeons and Dragons language throughout.) Their party is trying to pass a series of trials, which includes fighting off a variety of monsters. It just so happens that one of these monsters is a tentacle beast that can sense Rael’s pining for Dav, and decides, “Yeah, I can make this ‘ship work.”

What follows is some very spicy tentacle porn, followed by Rael and Dav finally confessing their feelings for each other (with a lot of fucking), and then the tentacle beast comes in for a tentacle beast/Dav/Rael threesome.

My only critique is that this threesome scene feels like it got cut short. But boney has a PDF add-on on Backerkit available that expands this scene. (Still would have liked to see this in the graphic novel, though).

That’s really my only critique of this story. It’s a sexy, intense, and in the end, surprisingly wholesome tentacle porn! I haven’t read tentacle porn this wholesome since My Monster Boyfriend from Iron Circus Comix.

(My favorite bit is towards the end when Dav is like, “Thanks, Eldritch Unfathomable Tentacle Beast!” And there’s a cutaway panel of the tentacle going, “You’re welcome!”)

Also, if there is a sequel, it better have dragon dick in it, or else those lore drops in the end are for nothing!

Intrigued? BROOD is now on Backerkit! (KickStarter banned this twice because Stripe is trying to ban porn. No I’m not kidding.) You can pre-order a digital or physical copy, including the extended threesome scene.

Broke? Spread the word to your tentacle enthusiasts! Word of mouth is the best way to get this comic out in the world, especially considering gestures broadly at everything. 

Now go read some tentacle comics!

That’s all for now. Thank you for reading!

You. Are. Awesome.