How to Draw When You Feel Uninspired

wahid comic clip

So you have your sketchbook open, your pencils ready, your watercolors waiting and eager to do your bidding.

There’s just one problem.

You don’t know what to draw.

This scenario happens to all artists no matter their place in their career path or their preference of artistic tools.

Every artist gets to a point where they just. Don’t. Know. What to draw.

But here’s a secret:

There’s billions of things you can draw.

If you don’t believe me, here are some suggestions for you.

1. Draw what’s close to you right now.

Where are you? Your room? The barber shop? The grocery store? Find a thing to observe, get out your paper and pencil, and draw what you see.

2. Draw something you’re not used to drawing.

Are you primarily a cartoonist who draws people? Try drawing some trees in the park. Try drawing some animals, like song birds, squirrels, dogs, deer, skunks, cats, parrots, ladybugs. Draw people dancing, sleeping, wrestling, shopping when they don’t want to shop, being indignant, smiling at an old acquaintance. Draw that pine tree you see out your back door. Draw that trash can that tipped over in the wind.

3. Have a theme on stand-by.

Sometimes it helps your drawing ability if you have a theme at the ready. That way you don’t have to spend too much energy trying to think of what topic to draw from.

For example, for me, January was the month I would draw Superhero Ladies in my sketchbook. When I opened my sketchbook and would say to myself, “Jeez, what can I draw?” I remember the theme and go, “Oh yeah! I’m going to draw a Superhero Lady. Let’s get started…”

The themes are up to you, but here are some fun ones to draw on (…puns!):

  • The Apocalypse
  • Frogs
  • Desert animals
  • People with mustaches
  • jewelry from around the world

4. Ask yourself what you want to accomplish when you sketch.

Are you sketching to improve your ability to draw the human nose? Or horses? Improving your use of colors? Want to build your memory bank so you don’t have to draw from reference? Do you want to draw better from reference?

Are you drawing just for fun? Or to get out an impulse? Did you have a bizarro dream?

You should have a reason to approach your sketchbook and draw. Otherwise…

5. Walk away and take a break.

This is perfectly ok. Sometimes you can make yourself draw, but if you have other things to do, do those things instead.

Sometimes the reason we’re stuck is because our mind is preoccupied with other things. Take care of those things so you can approach your sketchbook with a clear head.

There’s been times I could not draw because I was thinking, “I gotta’ do laundry. So I’ll throw in a load and then I’ll get back to this.”

99 percent of the time this works for me.

6. Is there something that ticks you off? Draw it.

Art is a good outlet for our emotions so that we don’t damage other people’s property. So next time you feel overwhelmingly angry, upset, frustrated, or depressed, get your sketchbook and just let it out.

7. Try a new tool.

Do you usually work in pencil? Try watercolors. Do you usually draw with pen and ink? Pick up some pastels.

Will you suck? Probably.

But experimenting with tools will help your mind break from its usual patterns and try something new and strange.

watercolor warrior sketch
My recent watercolor experiment.

I have found that routine, while helpful sometimes, gets you into a pattern that eventually runs dry in inspiration. The above tips will, I hope, help you break out of the routine and experiment with something new.

Because art is an experiment. It’s a way to test tools, ideas, and yourself.

So go for it!

Thank you for reading, and I’ll see you on Monday.

Commissions are Closed

There’s a feature on this site of mine that I like, that I unfortunately had to take down temporarily.

The feature announced my availabilty to do commissions, and linked to my prices.

I’m temporarily taking it down for a few reasons.

First, I’m swamped with work! Between two part-time jobs on top of making and reviewing comics, I have a lot on my plate. I need to finish a few things first before I take on any new commissions from anyone.

Second, once I AM available for them again, there is a sale I plan on having for my commissions. There are a few sales ideas floating around in my mind, and by the time I’m available for commissions again, I can safely announce them.

Third, I’m also making other things to sell through my Storenvy store.

There are a few things already done and good to go. Including FOUR new mini-comics: Duck for Dinner, Paintings at Night, Ladies with Mohawks, and Mr. Dino and Friends! I will also be getting new Johnson & Sir prints listed soon.

Fourth, I’m coordinating with the printer to finally get the first book of Johnson and Sir printed! The book is currently on pre-order (I’ll put the link at the bottom of the post) so you can reserve a copy.

The goal is to have print books ready and available by February 13th. But I’m having issues contacting the printer. I’m gonna blame the blizzards that have been blowing in recently.

So, yes, I have a lot going on. But these are good problems to have.

Thank you for your support in everything I do! Readers like you are the reason I’m able to make comics and write about them. Seriously. You’re the best.

I’ll see you tomorrow with a new post.

P.S. Here’s the button to click to pre-order your very own copy of Johnson & Sir (which is $10 and covers shipping and handling).



“Jamie Roberts Explores a Temple”

the legend of jamie roberts visual design temple environment sketch

This is a sketch I finished yesterday, to practice making stone textures in pen. I feel like I somewhat succeeded, but I still need to practice illustrating depth. For example: that sculpture of the goddess is supposed to be sitting in a recess in the wall. I don’t feel like I did a good enough job of showing how deep the recess is. It could be fixed with tones, though, probably.

Oh, let me explain what this sketch is showing:

Jamie Roberts, the figure in the foreground, is approaching the entrance to the abandoned temple/city of Kinyaht. Kinyaht is entirely underground except for the entrance, which is covered in sculptures of the Goddess.

In their mythology, the Goddess created the World, and when people and creatures die, they return to an otherworld called The Way. In this mythology, the easiest way to get to The Way is through caves and going underground, so some people got together and built Kinyaht, an underground temple.

By the time Jamie and her friends find this temple entrance, though, it’s revealed that no one has been in Kinyaht for over 500 years…

I’m looking forward to developing this environment further, and practicing more backgrounds, landscapes, and environments. It’s something I want to get better at.

Thank you for reading! I’ll see you tomorrow with a new post.

Superhero Ladies eBook: Coming Soon

There’s no review today (I’ll have a new review for Review Day Tuesday next week).

Instead, I wanted to give you an update on my Superhero Ladies series of sketches.

I already wrote post after post about them, even one featuring Malarkey Maddie, a superheroine sketched for the series.

Well the good news is, there are now 31 sketches done, which is more than enough for the eBook!

I still have to spot check quite a few of them, but I can show you some of the finished ladies in the series.

superhero ladies sketch series by kelci crawford

jen cho nagatana superheroine original character art

malarkey maddie superhero lady sketch by kelci crawford

superhero ladies superheroines sketch series by kelci crawford

And here are some snapshots from my camera of some of the looser, sketchier ones.

superhero ladies sketch series by kelci crawford
This one was actually named by one of my Twitter peeps. Thanks, @JN_Monk!

superhero ladies sketch series by kelci crawford

That last one is a trans girl because I realized towards the tail end of this project, “Crap! I could have incorporated more trans girls in this line up!” I’ll see if I can muster up at least one or two more, because I want this collection of characters to be diverse and inclusive, just like ladies IRL.

Although that reminds me of how I was going to add at least a few magical girls in this line up, as well, but in the end I really only got one. Oops.

I have to give a HUGE shout-out to the Random Superpower Generator and the Superpower Origin Generator, because without either of them I would have been so stuck on this project.

The next step with this series is to make a sketch or two more, touch them all up, and then format them into an eBook so y’all can get a copy of this awesome collection for yourself!

I’ll announce when the book is ready.

Thank you for reading, and I’ll see you tomorrow.

Johnson & Sir’s First Book: An Update

johnson and sir webcomic

Johnson & Sir are getting their first book soon!

How soon?

Well, I originally said they would be printed and ready by January 31st. I’ve been talking to the folks who will print the book (who are the same folks that printed the book edition of Validation), and I have pretty much everything together.

However, I’m fixing some formatting errors before I send the book off to print. I want this book to look its best, darnit!

But that means the book won’t be available on January 31st.

The latest the book will hit the market is February 13th (and yes, that IS a Friday the 13th. No, I’m not superstitious about it).

You can still pre-order a copy, so I can reserve a book JUST FOR YOU from the printer (because I like you, reader, and you are awesome). It’s $10, and that price includes shipping.



I’ll be taking pre-orders up until February 13th. After that, the print run is going to be small, like less than 25 books, for conventions and online orders.Completely tangential, I remember working with an old editor and he threw out the suggestion of having me print 1000 copies of a book, because depending on the printers, printing large quantities like that actually makes the per-issue cost cheaper.

But I said to him, “What the frick am I going to do with 1000 copies of a book?!”

Because you don’t realize how large of a number 1000 is until you actually see it. I saw what 1000 books looked like (thanks to my time as a former librarian), and…I am still not ready for that kind of commitment.

Hence, why I’m keeping the print run small. Small quantities are much more manageable, and then I’m not overwhelmed by books.

Plus, it makes owning the books for you much more special, knowing that you have one book out of 25, rather than one book out of 1000. It’s a lot more personal.

And I like personal.

Ok, tangent over. Thank you for reading, and I hope you’ll support Johnson & Sir! I’ll see you tomorrow.